Between 2008 and 2015, the Truth and Reconciliation Commission of Canada documented the lasting impact of Canada’s Indian Residential Schools on Indigenous Peoples and created 94 Calls to Action. Although the report profoundly reshaped the nation’s cultural consciousness, until now, no comprehensive surveys have been conducted to see how Indigenous artists have responded to this chapter in Canadian history.
Art, Truth, & Reconciliation fills this void. Written by Gerald McMaster, one of Canada’s leading curators and scholars, the book examines the works of artists from across the country—including Robert Houle, Carl Beam, Adrian Stimson, Kent Monkman, Rebecca Belmore, Christi Belcourt, David Ruben Piqtoukun, Allen Sapp, and many more—revealing how they have confronted histories of dispossession, survival, and renewal. Alongside these contemporary and historic voices, the book presents children’s drawings made within residential schools—fragile records that testify to both trauma and imagination under oppression.
“Truth-telling is profoundly visual. Art created by Indigenous peoples
is not mere expression—it is cognitive, ceremonial, and political. From the early paintings of children in residential schools to the contemporary works of survivors and descendants, this art conveys stories of rupture and resistance, land and language, memory and resurgence. It is visual sovereignty in motion—asserting Indigenous ways of knowing, seeing, and relating.”
– Gerald McMaster
Art, Truth & Reconciliation is structured in three sections that explore the works of different generations of artists: children who were in residential schools, artists who recall their time in residential schools, and a contemporary generation of visual creators who are coming to terms with the knowledge of residential schools. Poignant, passionate, and a call to action, the book reveals how Indigenous art continues to shape collective healing and understanding. In the hands of Indigenous artists, visual creativity breaks silences, bears witness to the truth, and documents the past with an eye to a more just future.
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![(Left) Jean Paul Lemieux, Preparatory sketch for “Québec (projet de peinture murale)” (“Québec [Mural Project]”), 1949. The Royal Collection, United Kingdom. Courtesy of The Royal Collection. © Estate of Jean Paul Lemieux. Photo credit: Royal Collection Enterprises Limited. (Right) Diane Landry, Brise-glace (Icebreaker), 2013. Collection of Méduse, Quebec City. Courtesy of Diane Landry. Photo credit: Ivan Binet.](https://assets.staging.artcanada.com/2026/03/23165600/quebec-city-arts-artists-book-landing-page-1-1024x576.jpg)




















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