Hamilton, Ontario-born Margaret Watkins (1884–1969) was a pioneering rebel who changed early twentieth-century photography, but until recently, the details of her fascinating life and groundbreaking practice were all but lost to history. As Mary O’Connor reveals in Margaret Watkins: Life & Work, the artist had a remarkable career that earned Watkins accolades for her work and influenced a generation of North American photographers. Watkins studied and taught with Clarence H. White (1871-1925), an original member of the Photo-Secession movement, before she became one of the first women to be hired as a photographer by a major advertising agency as well as a widely published and exhibited artist.
Although Watkins enjoyed great success in New York, in 1928, at the height of her career, she moved to Glasgow, Scotland, to care for ailing relatives. There, her practice ground to a halt and for decades Watkins lived in obscurity, staying silent about her accomplishments. Were it not for Watkins’s neighbour and friend, Joseph Mulholland, who inherited the carefully preserved archive of her astonishing body of work, the artist’s important contribution would never be known.
“______” Quote Pending
– Mary O’Connor
In Margaret Watkins: Life & Work Mary O’Connor reflects on her subject’s incredible biography and legacy. This volume offers profound insights into the tremendous talent of a woman who worried that she was being “domesticated to death”—and who responded with a collection of masterfully composed still lifes through which she forged a singular career in the history of photography.
Copyright Information
© 2024 Art Canada Institute.
All rights reserved.
ISBN 9781487103309
Published in Canada
Art Canada Institute
Massey College, University of Toronto
4 Devonshire Place,
Toronto, ON M5S 2E1
Banner Image: Margaret Watkins, The Tea Cup [advertisement for Cutex], 1924. Collection of The Hidden Lane Gallery, Glasgow. Courtesy of The Hidden Lane Gallery. © Joseph Mulholland, Glasgow.
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![The Tea Cup [advertisement for Cutex], Black and white photo by Margaret Watkins](https://assets.staging.artcanada.com/2026/03/23165931/MargaretWatkins-The-Tea-CupAdvertisementForCutex-1924-1024x749.jpg)



























![(Left) Jean Paul Lemieux, Preparatory sketch for “Québec (projet de peinture murale)” (“Québec [Mural Project]”), 1949. The Royal Collection, United Kingdom. Courtesy of The Royal Collection. © Estate of Jean Paul Lemieux. Photo credit: Royal Collection Enterprises Limited. (Right) Diane Landry, Brise-glace (Icebreaker), 2013. Collection of Méduse, Quebec City. Courtesy of Diane Landry. Photo credit: Ivan Binet.](https://assets.staging.artcanada.com/2026/03/23165600/quebec-city-arts-artists-book-landing-page-1-1024x576.jpg)












































































