Born and raised on the Prairies, William Kurelek (1927–1977) created meticulously crafted paintings that predominantly explore his Roman Catholic religion and his Ukrainian-Canadian cultural roots, confronting viewers with the stark challenges faced by immigrants. For Kurelek, style and technical skill were meaningless; he wanted to express emotions in an idiosyncratic and deeply personal manner. He developed a distinct approach to painting, using ballpoint pens and texturing with coloured pencils then scrubbing and scratching at the resulting image. From didactic writings about his work sprang a number of children’s books, for which he also became well known in Canada.
“William Kurelek was an artist of extremes. As no Canadian artist before him or since, Kurelek attracted, through his at once sentimental and monstrous imagery, the attention of both popular audiences and seasoned critics.”
– Andrew Kear
One of Kurelek’s most famous paintings, The Maze, provides a privileged glimpse “inside my skull,” as put by the artist, who struggled throughout his life with depression and schizophrenia. A dark, hypnotically dense composition in gouache, the work shows Kurelek’s personal, religious, and cultural concerns in tiny, impossibly detailed vignettes crammed into dollhouse-like rooms inside a structure resembling a bisected cranium. In a strikingly literal sense, the painting urges viewers to go inside the mind of this troubled, brilliant soul. With William Kurelek: Life & Work, Andrew Kear demonstrates why, more than a quarter-century after Kurelek’s death, Kurelek’s work stands as an enduring commentary on multiculturalism and mental illness in Canada.
Copyright Information
© 2017 Art Canada Institute.
All rights reserved.
ISBN 978-1-4871-0125-1
Published in Canada
Art Canada Institute
Massey College, University of Toronto
4 Devonshire Place
Toronto, ON M5S 2E1
Banner Image: William Kurelek, The Ukrainian Pioneer, No. 5, 1971, 1976. Collection of the National Gallery of Canada, Ottawa, transfer from the House of Commons of the Parliament of Canada, 1990 (30836.5). © Estate of William Kurelek, courtesy of the Wynick/Tuck Gallery, Toronto. Photo credit: National Gallery of Canada.
Online Book Sponsors
We gratefully acknowledge this book’s generous benefactors:
Founding Sponsor

Title Sponsor
The Scott Griffin Foundation
2016–2017 Sponsors of the Canadian Online Art Book Project:

Rosamond Ivey


Karen Schreiber and Marnie Schreiber

Related
Print Book
Explore
More Titles




























![(Left) Jean Paul Lemieux, Preparatory sketch for “Québec (projet de peinture murale)” (“Québec [Mural Project]”), 1949. The Royal Collection, United Kingdom. Courtesy of The Royal Collection. © Estate of Jean Paul Lemieux. Photo credit: Royal Collection Enterprises Limited. (Right) Diane Landry, Brise-glace (Icebreaker), 2013. Collection of Méduse, Quebec City. Courtesy of Diane Landry. Photo credit: Ivan Binet.](https://assets.staging.artcanada.com/2026/03/23165600/quebec-city-arts-artists-book-landing-page-1-1024x576.jpg)





















![Untitled [Study for advertisement for Cutex nail polish], black and white photo by Margaret Watkins.](https://assets.staging.artcanada.com/2026/03/23165929/MargaretWatkins-UntitledStudyForAdvertisementForCutexNailPolish-1924_upscaled-788x1024.jpg)






















































