A triptych painting by Robert Houle of a green landscape under a blue sky with a body of water visible on the right. In the centre panel, a tattooed Indigenous warrior wears a blue and red garment, a beaded bag, and a beaded and feathered headdress. A musket and a tomahawk are on the ground in front of him. He sits on a rock and looks at the water with his chin on his hand.
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    Decolonization

    through the art of

    Robert Houle

    Grades 7-12

    Decolonization through the art of Robert Houle

    Robert Houle (b.1947) is one of Canada’s most celebrated contemporary artists. He is of Anishnabe Saulteaux heritage and a member of Sandy Bay First Nation, Treaty 1 Territory, in Manitoba. Houle’s work examines colonialism in Canada, from events that took place decades ago to ongoing practices, and he has described his work as a form of decolonization. Decolonization has been defined in different ways (it can be a personal transformation; a literal repatriation of land, goods, or cultural objects; or a visual or symbolic change within a space, institution, or community), but fundamentally it is about confronting colonialism by challenging it and undermining it, a process that can be empowering. This guide explores how Houle has confronted colonialism by appropriating colonial images and documents and by creating artworks that focus on Indigenous experience.

    Learning Activities
    • Revisiting Ways of Representing Canadian History
    • Exploration of Robert Houle’s Premises for Self-Rule: Treaty No. 1
    • Creative Response to a Treaty Text
    Related Subjects
    • Visual arts
    • First Nations, Métis, and Inuit Studies
    • History
    • Social studies

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    Decolonization through the art of Robert Houle