In the 1950s Canadian artists’ creation of an iconography celebrating the nation’s history was lagging behind. With True Patriot Love, the first retrospective exhibition at the National Gallery of Canada dedicated to a living Canadian female artist, Joyce Wieland (1930–1998) set out to correct this situation with a new vision of the country’s symbolism that combined the environment, women’s issues, and art. “I think of Canada as female,” Wieland told the press before the exhibition’s opening. In his book A Survey (1970), artist Michael Snow described his then-wife as a “filmmaker, collagist, painter, and pioneer lay ecologist.”
Joyce Wieland: Life & Work documents one of Canada’s pivotal and most internationally renowned artists of the 1960s and 1970s. By 1971 her canvases could be found in museums across Canada and her pioneering experimental films were included in such institutions as the Museum of Modern Art, the Royal Belgium Film Archives, and the Austrian Film Archives. This book traces her career, which began as a painter but expanded to incorporate a range of media and materials, including sculpture, textile-based art, and experimental film.
“Despite the gravity of the issues she was addressing, Wieland’s humour was often in evidence as she set out to make political art. Drawing on foundations of Canadian visual culture, Wieland reminded her fellow citizens that the terms of the national contract should continue to be questioned.”
– Johanne Sloan
Johanne Sloan reveals how Wieland’s work—often politically engaged with issues of war, gender, ecology, and nationalism while remaining aesthetically powerful and filled with humour—generated new forms of meaning and aesthetic pleasure. She analyzes a groundbreaking artist’s commitment to creating original art that was socially and politically relevant.
Copyright Information
© 2014 Art Canada Institute.
All rights reserved.
ISBN 978-1-4871-0039-1
Published in Canada
Art Canada Institute
Massey College, University of Toronto
4 Devonshire Place
Toronto, ON M5S 2E1
Image banner: Joyce Wieland, The Water Quilt, 1970-1971. Art Gallery of Ontario, Toronto. © National Gallery of Canada, Ottawa.
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![(Left) Jean Paul Lemieux, Preparatory sketch for “Québec (projet de peinture murale)” (“Québec [Mural Project]”), 1949. The Royal Collection, United Kingdom. Courtesy of The Royal Collection. © Estate of Jean Paul Lemieux. Photo credit: Royal Collection Enterprises Limited. (Right) Diane Landry, Brise-glace (Icebreaker), 2013. Collection of Méduse, Quebec City. Courtesy of Diane Landry. Photo credit: Ivan Binet.](https://assets.staging.artcanada.com/2026/03/23165600/quebec-city-arts-artists-book-landing-page-1-1024x576.jpg)





















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